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The Wehrwolf by Alma Katsu
From the visionary author of The Fervor, The Hunger, and The Deep, comes a terrifying short story about monsters among men—and the thin lines that divide them.
Germany, 1945. In the waning days of World War II, the Nazis have been all but defeated. Uwe Fuchs, never a fighter, feels fortunate to have avoided the frontlines as he cared for his widowed mother.
But Uwe’s fortune changes when Hans Sauer, the village bully, recruits him to join a guerilla resistance unit preparing for the arrival of Allied soldiers. At first, Uwe is wary. The war is lost, and rumor has it that Hans is a deserter. But Hans entices him with talk of power, brutality, and their village’s ancestral lore—werewolves.
With some reluctance, Uwe joins up with the pack and soon witnesses their startling transformation. But when the men’s violent rampage against enemy soldiers takes a devastatingly personal turn, Uwe must grapple not only with his role in their evil acts but with his own humanity. Can he reclaim what this group of predatory men has stolen from him?
Or has he been a monster all along?
Mexico, 1917. On a farm during the violent tumult of revolution, a more immediate threat prowls, in a short, emotional story about survival by the New York Times best-selling author of Mexican Gothic.
She is the adventurer of the family. Her brother, the gentle dreamer. Even as they bond over folktales and hold each other close, their world has never felt so dangerous. Revolutionaries and pelones are in conflict, soldiers have turned into scavengers, and an escaped tiger has slipped up the mountain, looking for easy prey. As the darkest of legends becomes real, a young girl will do anything to save her brother’s life.
The Tiger Came to the Mountains is part of Trespass, a collection of unsettling stories that range from horror to magical realism from award-winning, best-selling authors.
Inspired by a true event, this powerful short story from the author of National Book Award finalist Pachinko explores the meaning of patriarchy and the cost of female silence through the eyes of a dutiful young girl.
An excellent student from a poor, traditional family in Seoul, the narrator has absorbed the same message her whole life: Only a boy can provide the family with dignity and wealth. Not her. Not her three sisters. Receiving approval only for uncomplaining sacrifice, she has resolved to take on her family’s troubles. She is a good girl. And she knows what good girls must do.
The Best Girls is part of Disorder, a collection of six short stories of living nightmares, chilling visions, and uncanny imagination that explore a world losing its balance in terrifying ways.
At a remote little inn not far from the Kansas homestead of Laura Ingalls Wilder lived the Bender family. These pioneers welcomed unwary visitors with jackrabbit stew and a sledgehammer to the skull.
In time, their apple orchard gave up its secrets—a burial ground for their mutilated victims, each stripped of their possessions. The devilish enterprise on “Hell’s Half-Acre” would earn the Bloody Benders an undying place in the annals of American infamy. But it was the mysterious fate of eldest daughter, Kate, that would make them the stuff of mythic campfire prairie tales.
Little Slaughterhouse on the Prairie is part of Bloodlands, a chilling collection of short, page-turning historical narratives from best-selling true-crime master Harold Schechter. Spanning a century in our nation’s murderous past, Schechter resurrects nearly forgotten tales of madmen and thrill-killers that dominated the most sensational headlines of their day.
